Friday, March 30, 2012

The Ten Most Bizarre Vending Machines

Travel to enough countries and you'll learn the world of differences that makes each place unique. This goes for what can be sold and dispensed from vending machines. Smarter Travel has compiled a list of some of the craziest vending machines.

(photo credit: KrisCrockett/flickr)
Live Crabs (China)
These machines are located in subways in China and they dispense live crabs.
Click HERE to watch of video of the machine.

(photo credit: manyone/flickr)
Gold To Go (Dubai)
The machine itself doesn't only dispense gold but is coated with a layer of gold itself. The price of the gold is updated every ten minutes to keep the price current. (gold-to-go.com)

(photo credit: josfiets/flickr)
Bikes (Netherlands)
What's called the "Bikedispenser" is an actual machine that pops out a bike when you've inserted money. (bikeoff.org)

(photo credit: TheJapanChannelD.com)
Sushi (Japan)
Though one has to wonder if one can trust the quality, it's still healthier than chips and candy.

(photo credit: Daily Mail)
Dog-O-Matic (France)
No this machine does not sell dogs. It's an automatic dog washer. Open the door, insert dog and pay based on the dog's size.
Click HERE to watch the Dog-O-Matic do its thing.

(photo credit: ChicagoTribune.com)
Canna Med Box (California)
A marijuana vending machine. 'Nuff said. (cannamedbox.com)

(photo credit: theswellelife.com)
Cupcakes (Beverly Hills)
Restocked daily by Beverly Hills bakery Sprinkles, customers pop in $4 for a sweet treat 24/7.
Click HERE to view a YouTube video of the machine.

(photo credit: greggman.com)
Fingernail-Painting (Japan)
Stick your finger in and get a design painted on.

(photo credit: AutomaticApparel.com)
Automatic Apparel (Boston)
Need an entire new outfit (from shoes to underwear)? This machine can help you out. (automaticapparel.com)

(photo credit: popaitaly/flickr)
Let's Pizza (Italy)
No need for delivery. A fresh pizza is made in two-and-a-half minutes. (UK site: letspizza.co.uk)
Click HERE to watch the machine at work.

Those ProActive acne medication vending machines don't sound so weird now.
Visit smartertravel.com to view the full article.

Wednesday, March 28, 2012

Cruising Attitude: Tales of Crashpads, Crew Drama and Crazy Passengers at 35,000 Feet by Heather Poole


Author Heather Poole offers an insightful look at the career of a flight attendant and many any who will pick up this book will learn something new about the world of flying the friendly skies. Poole offers many amusing experiences starting from chapter one where she wonders who will be the "crazy" passenger on the flight. In her words, there is always one and the one she describes is quite a doozy.

As she describes flight attendant training, she gives up how strict rules had to be followed and how classmates would start disappearing once these rules were not observed. But it's what happens after graduation that is the most surprising: the life of a flight attendant is nowhere as glamourous as many of us would think. She describes how on many flights the food on board was only for passengers and crew would hope that there would be extra trays of food for them. She minces no words about the very low starting wages and how it was nearly impossible for them to enjoy a good meal and their free time without worrying about money.

One amusing observation she makes is about the difference between first class and business class. She mentions flight attendants like working first class because most of these passengers just sleep during the flight. She adds that business class has the most demanding passengers. This is exemplified by a story about how a flight attendant offers spoons to business class passengers which each one takes only for the same flight attendant to just collect the spoons afterwards without offering anything else or any use for the spoon.

Poole doesn't mention the airline for which she worked for during most of her career (I've come to learn it's likely American Airlines) but it's probably best she didn't so we can identity her as possibly the flight attendant we may have met once. Reading the book I'm recalling the many flight attendants who have worked the planes I've flown over the many years. I can only appreciate the smiling face they offer knowing now what kinds of things can happen behind the scenes.

The book does get bogged down in the later chapters when she talks about working with her mother who also became a flight attendant. But for the most part the book is a fun read. Pick it up and see if you don't start saying thank you more often to a flight crew.

"Cruising Attitude" by Heather Poole is available in softcover. Click the adds below to purchase a copy or Kindle version from Amazon. Click HERE to purchase eBook from iTunes.



Monday, March 26, 2012

World's Longest Flights Ranked by Hours

It's 9,500 miles between Los Angeles (left) and Singapore (right).
See below for the number of hours it takes to fly this route.
(photo credit: John Sullivan/Wikimedia Commons/and the Singapore
Toursim Board for U.S. News)
My achilles heel when I travel is it's at least 2,500 miles to the nearest continent from Honolulu, Hawaii. At its shortest the flight to the west coast of the United States is about five hours. That duration is considered a mere fraction of the time to fly some of the longest flights in the world ranked by hours. Now it would be amazing if anyone on these flights doesn't at least get up once to go to the restroom unless they're unconscious for the entire duration or seeking deep vein thrombosis as a goal.

Probably the best thing about these very long-haul flights is there's no layover and it helps to earn elite level on each airline that much easier.

The ranking is determined by U.S. News & World Report. Notice that the miles between destinations does not necessarily determine the longest flights.

16 Hours
New York to Hong Kong on Cathay Pacific (8,059 miles)
Dallas-Fort Worth, Texas to Brisbane, Australia on Qantas (8,584 miles)
Johannesburg, South Africa to New York on South African Airways (7,970 miles)
Newark, New Jersey to Hong Kong on United Airlines (8,065 miles)

16 Hours 15 Minutes
Atlanta, Georgia to Johannesburg, South Africa on Delta Airlines (8,433 miles)
Doha, Qatar to Houston, Texas on Qatar Airways (8,047 miles)

16 Hours 20 Minutes
Dubai, United Arab Emirates to Houston, Texas on Emirates Airlines (8,164 miles)

16 Hours 30 Minutes
Dubai, United Arab Emirates to Los Angeles, California on Emirates Airlines (8,335 miles)

17 Hours 30 Minutes
Los Angeles, California to Bangkok, Thailand on Thai Airways (8,260 miles)

18 Hours
Newark, New Jersey to Singapore on Singapore Airlines (10,371 miles)

18 Hours 30 Minutes
Los Angeles, California to Singapore on Singapore Airlines (9,500 miles)

It should be noted that Singapore Airlines operates a business-class only airplane for 100 passengers on this Los Angeles to Singapore route. The reason this flight is shorter than the Newark to Singapore flight is the route taken by the airline's jets. The Newark flight path across the North Pole subjects the aircraft to less wind resistance, allowing it travel faster than the flight from Los Angeles, which crosses the Pacific Ocean.

Click HERE to read the full article from U.S. News & World Report and learn more about these flights.

Saturday, March 24, 2012

Photos Released of the New 'Phantom' UK Tour

John Owen-Jones (Phantom) and Katie Hall (Christine) in
the Phantom's lair.
(photos credit: Michael Le Poer Trench and Robin Savage)
Producer Cameraon Mackintosh has kept a tight leash on revealing any performance videos or even production photos of the new re-imaginged UK Tour of Andrew Lloyd Webber's 'The Phantom of the Opera'. Finally some photos of the new production have been released. The revelation is the costumes by Maria Bjornson are not changed.  It is the new set design by Mick Potter that will likely be the subject of argument for those who have seen the original.

So far these photos reveal that there are steps (pictured above) that lead down to the Phantom's lair amid floating candles. For the "Masquerade" sequence (pictured below) the grand steps of the opera house are gone. Instead the playing space is opened up to be an ornate circular ballroom with a large oval mirror above the revelers.

Visit thephantomoftheoperatour.com for tour dates, tickets and more information. Tour dates in the UK are scheduled into 2013. It's unlikely any announcement will be made anytime soon regarding if the tour will play London or international cities.

The company during "Masquerade"
Angela M. Caesar (Carlotta) in the "Hannibal" scenes.
John Owen-Jones (Phantom) and Katie Hall (Christine)
John Owen-Jones (Phantom)

Thursday, March 22, 2012

ProBax Seats Installed In August Wilson Theatre

August Wilson Theatre (photo credit: TheHopefulTraveler)
Anyone can tell you that sitting in a Broadway theatre seat for two-half hours can be literally a pain in the butt. Following the example of the Ambassador Theatre Group in London which installed ProBax seats in their West End venues, Jujamcyn Theatres installed the brand of seating technology at the August Wilson Theatre in New York City.

Design of the ProBax seats installed
in London theaters.
The August Wilson is the first theatre in North America to have the ProBax seats installed. The seating technology requires no changes to the seat frame, design or upholstery and can be upgraded by changing the base of the cushion alone. The seats are ergonomic using dual density foams that encourage anatomically correct posture and are expected to last longer than regular seating. This same technology is applied for use in movie theaters, cars and aircrafts. The ultimate goal is for the comfort of the audience.

But more amazing about the transformation is that each seat cushion and seat back at the August Wilson was changed without the loss of a single performance of the musical 'Jersey Boys' taking place between the end of a Sunday, January 8 matinee and the start of the Tuesday, January 10 evening show. The venue currently has a capacity to accommodate 1,250 theatergoers.

But will the new seats help audiences enjoy a Broadway play? Or will it prevent others from putting their feet up against the back of seat in front of them? No word yet if other New York theaters will gain the new seating. Click HERE to read The New Yorker's unique perspective on the ProBax seats.




Tuesday, March 20, 2012

Project Runway Meets Broadway: 'Godspell' Challenge




Although it took a while, reality competition series 'Project Runway' finally offered its first challenge linked to Broadway. The episode which aired last month on the Lifetime network featured 'Godspell' composer Stephen Schwartz explaining the challenge.

Each designer had to create a costume for a character in the musical revival of 'Godspell' who is very rich and who wants everyone to know how rich and showy she is. The look had to be something that the character may have pulled from her own closet or thrift stores and was colorful and exaggerated but looks great.

Adding to the difficulty of the challenge is the costume would be placed on the character by the other actors in the musical so it was also a separates challenge. The cost for their raw materials was limited to $200. The episode was part of the special "Project Runway All-Stars" season. The winning look was designed to be runway worthy but adapted for the actual Broadway stage production. Guest judge was two-time Tony winner ('Anything Goes' 2011 revival, 'Thoroughly Modern Millie') Sutton Foster.

Click HERE for more information and videos from the 'Godspell' challenge episode. Visit mylifetime.com for more information about the series. 'Godspell' plays the Circle Theatre In the Square Theatre in New York City. Visit godspell.com for tickets and more information.

The photos below show each look that walked the runway and the name of the designer appears below each photo. The winning design and the costume as it appears on Broadway appears at bottom.

Design by Mondo Guerra
(photos: Lifetime Entertainment Services)
Design by Austin Scarlett
Design by Michael Costello
Design by Jerell Scott
Design by Kenley Collins
Design by Mila Hermanovski
Design by Kara Janx
The winning look by Mondo Guerra and adapted look for the 'Godspell' musical.
The photos above are ranked from highest to lowest as they were featured
in the results portion of the "Project Runway All Stars" episode.
Kara Janx had the losing design and she was out of the competition.
Mondo Guerra and 'Godspell' actress Lindsay Mendez.

Sunday, March 18, 2012

Sculptures as Illusions Invade Park Avenue



(photos credit: nyclovesnyc/flickr)
Between now and June 30, nine-stainless steel sculptures designed by Venezuelan artist Rafael Barrios will be displayed along New York City's Park Avenue between 51st and 67th Streets. Each sculpture weighs about a ton and appear to be huge, three-dimensional perspective illusions.

The sculptures when seen from one angle appears to be thick and solid three-dimensional pieces. While from another perspective they appear paper thin. The technique which Barrios has been perfecting since the 1970s is called "virtualism" characterized by the sculptures look of floating metal.

The presentation is part of the art program along Park Avenue that has been running since 2000. Visit fundforparkavenue.org for more information about the project.

One pedestrian took this video of one of the sculptures on Park Avenue:

Friday, March 16, 2012

Movies To Travel By: "Midnight In Paris"


Owen Wilson and Rachel McAdams at Giverny.
(production photos: Sony Pictures Classics)
We all likely have a romantic vision of Paris. Woody Allen captures that feeling in the first ten minutes of his 2011 film "Midnight in Paris" offering postcard view after view of the "city of light." It's almost worth the admission just to admire these picture perfect images of Paris even after the story begins and characters begin inhabiting the foreground.

"Midnight in Paris" is a romantic comedy fantasy and to reveal its story is likely to reveal its surprises. In his four-star review of the film, Roger Ebert indicates in his first sentence that the review contains spoilers and that he can't imagine a way to review the film without discussing the delightful fantasy at the heart of Allen's new film.

Without giving much away, here's an excerpt from Ebert's review: "The film is sort of a daydream for American lit majors. It opens with a couple on holiday in Paris with her parents. Gil (Owen Wilson) and Inez (Rachel McAdams) are officially in love, but maybe what Gil really loves is Paris in the springtime. He's a hack screenwriter from Hollywood who still harbors the dream of someday writing a good novel and joining the pantheon of American writers whose ghosts seem to linger in the very air he breathes...He'd like to live in Paris. Inez would like to live in an upper-class American suburb...One night, he wanders off by himself, gets lost, sits on some church steps, and as a bell rings midnight, a big old Peugot pulls up filled with revelers."

The story then takes a turn that is one of the most magical and whimsical in recent moviemaking years. It is one of the best films of 2011 and among the best of Woody Allen's career.

Rachel McAdams and Owen Wilson at the Palace at Versailles.
Owen Wilson perusing the street markets of Paris.
Film locations, beautifully photographed by cinematographer Darius Khondji, include the Palace at Versailles, Sacre-Coeur, Ile de la Cite, Giverny, John XXIII Square near Notre Dame, and the streets near the Pantheon. Even the Hotel le Bristol where Gil and Inez stay contains images of luxurious accommodations that we can only dream about. Quaint street makets and fine restaurants complete the wonderful locales in the film. The first scene with Gil and Inez includes images of a Monet painting come to life. Visit movie-locations.com for more details of the film's various location.

"Midnight in Paris" is Woody Allen's highest grossing film domestically and internationally. Its global box office stands at over $151 million. The film was nominated for four Academy Awards including best picture winning the Oscar for best original screenplay.

Woody Allen took care in casting all the roles. Besides Wilson and McAdams, Kurt Fuller and Mimi Kennedy play the parents of Inez. Great supporting work is provided by Michael Sheen, Alison Pill, Tom Hiddleston, Kathy Bates, Marion Cotillard, Adrien Brody and Lea Seydoux. Even Carla Bruni, who was the First Lady of France at the time of filming, is excellent in her few scenes as a tour guide at the Rodin Museum.

Two actors who should expect more roles to come their way are Corey Stoll (spoiler warning: he plays Ernest Hemingway) and Nina Arianda as Carol, a friend of Gil and Inez, both of whom make great impressions onscreen in their few scenes. But it is Wilson who carries the film with his quiet charm.

"Midnight in Paris" is available on DVD and Blu-ray and songs featured in the film is available on CD. On iTunes, click HERE to download the film or HERE to download the music.



Michael Sheen, Nina Arianda, Rachel McAdams and Owen Wilson
at Versailles.
Owen Wilson and Lea Seydoux on the Point Alexander III.
Left to right: Owen Wilson, Marion Cotillard, Corey Stoll and Daniel Lundh.
Marion Cotillard and Owen Wilson strolling the streets of Paris.
Owen Wilson and Rachel McAdams at the Hotel le Bristol
Carla Bruni and Owen Wilson at the Rodin Museum.
On the set with Marion Cotillard, Owen Wilson and writer/director
Woody Allen.
Alison Pill and Tom Hiddleston evoking a style of Paris in the past.
Owen Wilson taking a stroll along the Seine.
Owen Wilson sitting on the steps of the Church of St. Etienne du Mont.



Wednesday, March 14, 2012

Manoa Valley Theatre: Hawaii's Off-Broadway Playhouse

The walkway to the Manoa Valley Theatre crosses through a former
church cemetery. (photos credit: TheHopefulTraveler)
After reviewing 'Spring Awakening' this week, this gives me the opportunity publish a post about Manoa Valley Theatre. The venue bills itself as "Honolulu's 150-Seat, Off-Broadway Playhouse" and that is for the most part true. This complements the productions at Diamond Head Theatre, also located in Honolulu, which often presents local premieres and revivals of big-budget Broadway musicals. Both theatre companies however can and have presented both Broadway and off-Broadway productions.

MVT was founded in 1969 by graduate students of the University of Hawaii as the Hawaii Performing Arts Company. The Manoa Valley Theatre name was not adopted until the company's second decade and named for the lush, green valley where their venue is located.

Manoa Valley Theatre presents an annual six-show season. The 2011-2012 season includes Hawaii premieres of 'The 39 Steps,' 'God of Carnage,' and 'Spring Awakening'. 'Little Shop of Horrors,' 'Dividing the Estate' and 'Honk!' make up the balance of the current season.

The versatile auditorium can be accommodated to host productions
with traditional, in-the-round or cabaret seating. Pictured above is
the seats along the right of the auditorium. On stage is the set for their
production of 'Spring Awakening.'
The theatre company occupies land on which a former church stood and evidence that remains is the cemetery and church bell monument that fronts the theatre facilities. Seating for each show can be different as required by the production requirements. Audiences should always inquire if the seating is traditional or in-the-round or cabaret. None of the seating is reserved so it's first come first served with subscribers allowed priority entry.

I used to be a subscriber of Manoa Valley Theatre but due to cost of subscriptions, play selections and their reliance on cabaret type and audience participation productions, I opted to only attend select productions. As much as I love theater I made the difficult choice of subscribing to only one of Hawaii's two major theatre companies. Both Manoa Valley Theatre and Diamond Head Theatre offers the opportunity for local audiences to see New York productions once the rights become available.

Performances usually run evenings Thursdays to Saturdays and matinees on Saturdays and Sundays. The theatre has no parking facility so as a courtesy audiences are allowed to park in stalls near East Manoa Road at the neighboring Manoa Marketplace shopping center.

Visit manoavalleytheatre.com or call 808-988-6131 for more info. The theatre is located at 2833 East Manoa Road in Honolulu, Hawaii.

In lieu of a marquee, banners announce the current productions at
Manoa Valley Theatre.

Tuesday, March 13, 2012

Review: 'Spring Awakening" at Manoa Valley Theatre


When Manoa Valley Theatre in Honolulu announced the Hawaii premiere of the musical ‘Spring Awakening’ as part of their 2011-2012 season, there was a question if the show would remain as provocative in a community theatre as when it premiered in New York City in 2006.

Audiences can be assured that the local creative team behind this ‘Spring Awakening’ have not tinkered with the subject matter and will likely surprise or even stun those unfamiliar with the work.

Based on Frank Wedekind’s 1891 German play of the same name, this rock musical adaptation depicts a dozen young people making their way through the thrilling, complicated, dangerous and mysterious time of sexual awakening: masturbation, abortion, homosexuality, rape, child abuse and suicide.

The musical retains its 19th century European time period and MVT costume designer Dusty Behner have dressed the actors appropriately: the girls covered in long dresses (think “Little House on the Prairie”) and the boys in matching black school uniforms. This plays in stark contrast to composer Duncan Sheik and book writer/lyricist Steven Sater’s pop-rock songs and the set designed by Andrew Doan that splits the stage into two levels. Most of the action takes place in front of white walls that span the length of the stage upon which the cast fills with graffiti throughout the performance. The upper level playing area has a background depicting buildings and structures of the era.

Leading the excellently chosen young cast is Elise Levin and Jonah Ho’okano. Levin plays the innocent and questioning Wendla who by her curiosity entices her radical classmate Melchior (Ho’okano). No doubt their scene at the end of act one will be the controversial talk during intermission. Both are fine actors who never once appear coy or uncomfortable in their roles.

Elise Levin (Wendla) and Jonah Ho'okano (Melchior)
(photo credit: Manoa Valley Theatre)
'Spring Awakening' company.
(photo credit: Bruce Asato)
Another storyline follows Moritz, a doomed student played by Garett Taketa who seems oddly a bit more mature than his co-stars but reveals a confused vulnerability. Among the peripheral players Joel Libed as Hanschen offers moments of comic relief. His arrogance in his scene with the fragile Ernst (Gerald Mandac) is tempered to reveal depth and poignancy.

Craig Howes and Liz Stone play all the adult roles and though they competently play the authority figures, both fail to punch up their dialogue losing several moments of humor and insight into the morals of the time.

But it’s the songs of Sheik and Slater that will entrance audiences. Titles such as “The Bitch of Living” and “Totally Fucked” may aim to shock but become show stoppers for the cast. Just as captivating are “My Junk” and “Don’t Do Sadness/Blue Wind”. Its score is one of the most unique, memorable and has no comparison that has played the Great White Way. Many may akin the music to Jonathan Larson’s “Rent” but the scores are not similar and comparison unfair. There’s moodiness in Sheik’s score that is very different to Larson’s music.

Unusual and fascinating, ‘Spring Awakening’ is likely to attract audiences especially through word of mouth among the students at nearby schools and University of Hawaii. An extension would be in order in hopes that many others will be willing to take a chance and discover this Tony Award winning best musical.  MVT takes a gamble and produces a version that is different from the Broadway original and it pays off artistically and critically.

‘Spring Awakening’ is presented at Manoa Valley Theatre in Honolulu. Performances run March 8, 2012 to March 25, 2012; 7:30pm Thursdays, 8pm Fridays; 3pm & 8pm Saturdays and 4pm Sundays. Ticket prices: $35 general; $30 seniors and military; $20 for those 25 and younger. Unreserved seating. Auditorium opens 30 minutes before curtain time. The production is recommended for ages 14 and older and contains very strong language, sexual situations and partial nudity. Visit manoavalleytheatre.com for tickets and information. Call 808-988-6131 or visit the theatre box office at 2833 East Manoa Road. (Review of 3/10/12 performance).

Garett Taketa (Moritz) and Craig Howes.
(photo credit: Bruce Asato)
'Spring Awakening' company (photo: Manoa Valley Theatre)

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