Thursday, May 12, 2011

The World's Largest Miniature Airport: Knuffingen






(all photos: Getty Images)



The world's largest model airport opened this week in Hamburg, Germany in what one press report calls "a spectacular display with a stunning attention to detail." At 494 square feet, the model (loosely based on Hamburg's airport) took more than six years to build. Called Knuffingen Airport, no expense was spared at a cost of nearly $5 million.

The airport is part of the full display at Germany's Miniatur Wunderland which includes the world's largest model railroad landscape exhibition. The models already opened prior to the addition of the airport already boasted 200,000 inhabitants and over six miles of train tracks. Knuffingen is the name of the fictitious city at the German attraction.

With a computer at the control, the planes take-off, land and park themselves, passenger walkways move, people appear to walk around the terminals and vehicles automatically move around the airport. The airport is so up to date that it features model A380s used by Emirates and Lufthansa. From videos uploaded online the lighted airport appears spectacular when viewed in a night scene (see the youtube video above).

The miniature airport features: 40 model aircrafts, 90 vehicles, 15,000 mini-people, 40,000 lights, 500 cars, 10,000 trees, 50 trains, 1,000 wagons, 100 signals, 200 switches, 300 buildings.

I am absolutely fascinated in observing the minute details of the model via the videos and photos of the attractions. And by that admission, I am a total geek. Visit miniatur-wunderland.com for more information or visit the city of Knuffingen's official website at knuffingen.de. Additional photos follow the video below.



Tuesday, May 10, 2011

Melbourne 'Love Never Dies' Moves Into Regent Theatre


In a reworked version, Andrew Lloyd Webber's 'Love Never Dies' opens at the Regent Theatre in Melbourne, Australia on May 28, 2011 (previews from May 21st). With an entirely new design team and director, audiences should expect a vastly different show from the version that opened in London in 2010. Visit loveneverdies.com.au for more information.  'Love Never Dies' is Webber's sequel to his 'The Phantom of the Opera.' After a mixed reception in London, critics will be awaiting to see if the show has been improved.

I was hoping to make the journey to Melbourne this year to compare this production with the version playing in London's West End. But with a limited run announced for now and sky high airfares it appears this visit will have to wait for now.

The videos below reveal the production moving into the Regent Theatre and the two leads, Ben Lewis (The Phantom) and Anna O'Byrne (Christine Daae), performing the show's signature tunes: "Till I Hear You Sing" and "Love Never Dies".



Sunday, May 8, 2011

Afternoon at Ala Moana Beach & Magic Island (Part 2)



Top to bottom:
View of Ala Moana Beach from the southern tip of Magic Island;
View of Ala Moana Beach from Magic Island facing west;
The open space, picnic areas and trees at Magic Island.
Adjoining Ala Moana Regional Park on the east end is Magic Island, a 30-acre peninsula created in the 1960s by a landfill project. Despite being renamed in 1972 to Aina Moana Park, the area is still called Magic Island by residents. The park contains over 400 parking stalls at its north end with lots of open space, sites for picnics and a beachside lagoon at the south end of the peninsula. The beach of Ala Moana Park continues along the north west side of the Magic Island. The west and east sides of the park offers panoramic views. The east side offers views of the Ala Wai Channel and Yacht Habor, the hotels of Waikiki and Diamond Head. The west side gives a view of Ala Moana Beach and the towering condos above it.

Read the previous post about Ala Moana Regional Park. By the way Ala Moana in Hawaiian means path to the sea. The park is located between downtown Honolulu and Waikiki and open from 4am-10pm daily.

Park links:
Park Permit Information



Top to bottom (views from Magic Island):
Diamond Head and the Yacht Harbor;
Hotels at the west end of Waikiki;
Ala Wai Channel.

Afternoon at Ala Moana Beach & Magic Island (Part 1)

The beach (above) and park (below) at Ala Moana Regional Park. 

Working at the Department of Parks & Recreation of the City & County of Honolulu during my post college days for two years, I learned one of the jewels in the park system is Ala Moana Regional Park or more simply known as Ala Moana Beach. Because of its visibility and popularity it's a showcase for any visitor on their way to a Waikiki hotel hence the care and budget designated to the park. This weekend I had the opportunity to revisit the park.

Above: the lagoon at the Waikiki end of the park;
Below: Ala Moana Park Drive 

At over 70 acres the park's centerpiece is the wide golden sand beach that stretches over a half-mile. The calm waters, one of the benefits of having an outer reef as protection, makes it popular for families. The north side of the park contains both open grassy areas and shaded spots offered from banyan and palm trees. The park is popular for picnic events and permits are required to stake out one of the official picnic sites for parties ranging in size from 25 to 250 people.

More beach views. Above: Magic Island is seen in the distance with lots of
space for beachgoers on this Saturday afternoon.
Below: Along the beach facing west.

Vehicle access is through one of two entrances that leads visitors to Ala Moana Park Drive which stretches the entire length of the park. All vehicle parking is along this roadway. Because of the popularity of the beach and park on weekends parking often is scarce. Though not recommended some park at the Ala Moana Center or Ward Centre located across the street along Ala Moana Boulevard.

In the center is McCoy pavilion which the city uses and rents for special events. The park also includes tennis courts, concession stands and lots of picnic tables. The two lagoons at each end of the park and canal that connects them actually serves to keep the former swamp lands dry by allowing water to drain into this waterway.

Above: More open space. The Ala Moana Building and Center is seen in the distance.
Below: Beneath one of the shade trees.  

Read the next post for part 2 with a description and views from Magic Island which adjoins Ala Moana Regional Park. By the way Ala Moana in Hawaiian means path to the sea. The park is located between downtown Honolulu and Waikiki and open from 4am-10pm daily.

Park links:
Map of Ala Moana Regional Park
Map of Aina Moana (Magic Island) Park
Department of Parks of Recreation Information Sheet
Park Permit Information

Friday, May 6, 2011

New York City Taxis Have New Look Starting in 2013

The new breed of NYC taxis.
In two years the current fleet of New York City taxis will start to be replaced by the Nissan NV200,  Mayor Michael Bloomberg announced this week. He added that all current taxis will be off the streets by 2018. The Nissan van beat out submissions from the Ford Motor Co. and Turkey's Karsan. The anchor of the current fleet of more than 13,200 taxis is the Crown Victoria which has been discontinued by Ford.

The minivan which won the two-year "Taxi of Tomorrow" competition features:
- Overhead window to give passengers a view above.
- Onboard outlets and charging stations.
- Fuel efficiency at 25 miles per gallon (compared to 12-13 miles per gallon for the Crown Victoria).
- Cheapest among the three finalists at a cost of $29,000 (and an anticipated $1 billion in total sales).
- Airbags & crash testing.
- Doors that slide sideways.
- GPS systems.
- An option for taxi owners to buy a wheelchair-accessible version (Bloomberg said that a new program would allow riders in wheelchairs to call for properly equipped vehicles).

The three finalists.
Nissan reports that 70 percent of its vehicles are sold in the US and plans to manufacture the taxi van in Mexico with final touches completed at a NYC-area facility. The city is exploring a possibility of replacing the entire fleet of taxis with vehicles powered by electricity.

London taxi drivers go through a rigorous qualification process to operate one its signature black cabs. Perhaps the next step in improving the NYC taxi system is the driver qualification process.

Vehicle interior (all images: New York Taxi and Limousine Commission)

Wednesday, May 4, 2011

Calling the 'Crap Souvenir' Police

(all images: crapsouvenirs.com)
Most of us have either committed or been a victim of this crime. In a lapse of judgment we have bought a crappy souvenir from a vacation as a memento or bought one for an unsuspecting family member or friend. It's a well known side-effect from the joys of traveling: the need to bring something back home.

After wondering into one souvenir shop too many, travel writer Doug Lansky launched crapsouvenirs.com to allow others to document their own kitschy finds and funny comments. 

On the website, Lanksy state: "When it comes to kitsch commemorative crap, most of us take the sensible route and walk right by it. But clearly there are boat loads of tourists who buy it and keep these vendors in business. If you dare to take a closer look, and do so armed with a sense of humor, you'll occasionally stumble across a gem -- a souvenir so painfully tacky you find it hard to hold back a smile. This site is meant to serve as a collection point, or perhaps a refuge, for these tackiest of mementos."

The site offers 'crap souvenirs' by category and even location on a world map. This post reveals three of the latest items from readers who have visited Hawaii, San Francisco and Paris, France. Perhaps look around your home and see if you possess any items worth sharing on this site.



Doug Lansky is a travel writer based in Stockholm who has written books for Lonely Planet, Rough Guides and contributed to Equire, Men's Journal, National Geographic Adventure, Readers Digest and others.

Monday, May 2, 2011

When the Airline Customer is Wrong

(image credit: oneredpanther/flickr)
It's common to hear the saying "the customer is always right." But often the customer can be wrong. Matt Brownell of mainstreet.com, a site that offers personal finance tips and advice, reports that every day customers behave in ways that make the lives of waiters, cashiers, customer service reps and other retail workers miserable. In one of a series of articles, flight attendants and customer service representatives offered tips on keeping the skies friendly. Below are portions from the report.

Get Off the Phone
This is a common complaint in most retail industries, but it bears repeating here: It's rude to talk on the phone while interacting with the person behind the counter. And when you're at the airport checking your bags, it slows things down for everyone.
Respect the people behind the counter enough to put your phone away when you're speaking with them. And if not for their sake, do it for the people behind you who are delayed by your chatty ways.
We Don't Want Your Germs
If there's one thing worse than seeing a passenger approach with a phone glued to his ear, it's seeing a passenger approach with a ticket in his mouth.
Passengers have their hands full with bags, and they want easy access for their ID or boarding pass, so they wind up holding it in their mouth. But handing someone a ticket that was just in your mouth is extremely gross. Put it in your pocket.
The Tray Table Is Not a Changing Table
Speaking of gross, please note that the tray tables are for eating, not for changing diapers. People will eat off that table, and it's not cleaned after every flight.
It mentions repeating: The tray tables are not cleaned after every flight, and even if they were, changing a diaper on a surface that someone is going to eat off is not OK. Be considerate of future passengers, and don't put the flight attendants in the position of having to stop you mid-diaper change.
(image credit: elainechang90/flickr)
Speaking of Babies ...
There are few air travel topics more controversial than babies and small children on planes, and if it's a headache for passengers, it's a safe bet that it's a major headache for the flight attendants who have to deal with both the crying babies and the passengers complaining about said babies.
One recommendation is bringing ear plugs if you don't have noise-canceling headphones, and passengers traveling with babies may want to bring a supply of earplugs for surrounding passengers.
Most importantly: flight attendants aren't babysitters. Flight attendants are not here for people to just pass their babies off to go to the bathroom. Airlines don't have stuff to keep kids occupied, so come prepared with games and books.
Everyone Has to Be Somewhere
When flights are delayed or overbooked, the customer service representative manning the gate can quickly become the most put-upon person in the terminal. And that's especially true if there aren't enough passengers willing to be voluntarily bumped from the flight, which means that someone with a ticket isn't getting on.
Situations like these aren't fun for anyone, and passengers have a right to feel aggrieved. But screaming will only make someone else's day worse, and if you have a pressing need to depart on time, your best bet is to politely state your case.
Take Your Seat ...
Not all seats are created equally, and if you're on a flight that isn't sold out you might be inclined to stake out better real estate -- say, a seat that's further from the lavatory or that has more leg room. But wait until the plane is in the air and the seatbelt light is off to go searching for greener pastures, because the plane can't take off until you're seated.
... And Listen to the Flight Attendants
Sure, the flight attendant said to stow your carry-on bag under the seat in front of you. But as long as it's out of the way, it doesn't matter where you put it, right? No one is going to want another persons' or their own carry-on bag sticking out and blocking their egress in a smoke-filled cabin. In other words, it's for your own safety.
The same holds true for putting your tray up and turning off your cell phone. That last one has plenty of dissidents, who argue that a single phone can't interfere with the plane's communications. But phones can also serve as a distraction during take-off and landing, when accidents are most likely.

(image credit: byrne.images/flickr)
Overhead Etiquette
"The overhead bin is shared space, and each bin should fit three people's luggage in it," says a flight attendant for a major airline. "But sometimes that one passenger will put their jacket, briefcase, and roll-aboard suitcase in there. What about the other two people in that row?"
Hogging the overhead bins is not only inconsiderate to your fellow fliers, it also makes things tough for the flight attendants, who get blamed by the other passengers when they can't find room for their own luggage.
Also know that workplace safety regulations dictate that flight attendants are only supposed to help passengers guide the bag into the compartment -- not lift it for them.
Visit mainstreet.com for other flying advice. Click here to read the full article.

Saturday, April 30, 2011

The Venue: Shubert Theatre Lands 'Memphis' Musical


The Shubert Theatre in New York City holds a special place in the Broadway theatre scene. The venue is the namesake theatre for the Shubert Organization, the owner of the largest number of Broadway theaters at seventeen and was home for fifteen years to "A Chorus Line" (1975) the quintessential show about the New York stage.

The theatre opened in 1913 and also hosted the original productions of "Pal Joey" (1941), "Kiss Me Kate" (1948), "Promises, Promises" (1968) and "A Little Night Music" (1973). A successful reworking of Gershwin's "Girl Crazy" called "Crazy For You" (1991) ran for nearly four years here. More recently the venue has been home to "Gypsy" (2003) starring Bernadette Peters and "Spamalot" (2005). The current tenant is "Memphis" (2009). Barbra Streisand made her Broadway debut in "I Can Get It For You Wholesale" (1962) at the Shubert. A musical version of the Tom Hanks comedy "Big" failed at the theatre in 1996 playing only 193 performances. Read "Making It Big: The Diary of a Broadway Musical" by Barbara Isenberg which details the difficulty of producing a modern musical.

The theatre opens onto One Shubert Alley, a hangout for the theatre crowd and serves as a pedestrian link between 44th and 45th Streets. The walls of the Shubert and the Booth Theatre along the alley is notable for the display of posters for current Broadway productions. Offices of the theatre is home to the Shubert Organization's executive offices.


The theatre is located at 225 West 44th Street between Broadway and 8th Avenue in NYC. The seating capacity is 1,460 on three levels. Always keep in mind that these older Broadway houses lack any public lobby space. This often leads to a line of theatergoers waiting to enter the theatre. But One Shubert Alley offers lots of breathing space during the intermission.


Friday, April 29, 2011

Video: 'Memphis' Live on Broadway

In celebration of the movie screenings of the musical 'Memphis' in movie theaters across the country this weekend here is a video of the Broadway production. Visit the 'Memphis' YouTube page for more production and behind-the-scenes videos.

Thursday, April 28, 2011

Review: Broadway's 'Memphis' Comes to Movie Screens


Chad Kimball and Montego Glover
(photos credit: Joan Marcus/memphisthemusical.com)
The film presentation of the musical 'Memphis' is an unusual experiment. If not only to document the production with the original cast, it serves as a marketing test to prolong a Broadway run that despite winning the Tony Award for best musical is considered only a medium hit and at nearly 700 performances at the Shubert Theatre has yet to fully recoup the investment to open the show in New York.

The show stars Chad Kimball as Huey Calhoun (loosely based on pioneering DJ Dewey Phillips) who wants to bring rhythm and blues music to the masses of white America. Kimball's performance despite being Tony nominated borders on this side of distraction. The mannerisms of a constant lean in his stature and elongating syllables is a lot to get used to. But it is a feat that Kimball maintains an energy in a role that keeps the actor on stage for almost the entire running time of the musical. 


The true star of 'Memphis' must be Montego Glover as Felicia Farrell who becomes the inspiration and then love interest of Calhoun. She is the heart of the story in a character that grows from unknown to music and radio star. With an engaging stage presence that carries into film, Glover offers effortless vocals from the chirpy "Someday" to the personal anthem "Love Will Stand When All Else Fails."

Less persuasive is the attraction between Felicia and Hughie even though the relationship is tested through fame and fortune, public acceptance and Hughie's proud nature. Peppered among the two is a vibrant and colorful supporting cast though Hughie's mama (Cass Morgan) leans towards caricature. One uncomfortable fit is the interpolation of vintage video projection of the civil rights movement within the confines of this lightweight musical.

One cute highlight is facsimiles of music legends Fats Domino, Perry Como and others popping up on stage to document the changes in taste of popular music; and another where a game of jump rope mimics the breaking down of racial barriers. Slights of humor and lots of energetic choreography helps to keep the show moving at a steady pace.


The music by Bon Jovi keyboardist David Bryan, with lyrics by the show's book writer Joe DiPietro, covers various styles from the rock and roll of the era to gospel and blues. The finale ensemble number "Steal Your Rock 'N' Roll" reveals Bryan's commercial music background with an instantly accessible tune. It's the kind of happy number that will lift spirits and bring the house to its feet.

Filmed in January 2011 in front of a live audience, the musical is captured like a feature film in close-ups and long shots. For this viewer the production appeared more engaging and Kimball's portrayal more palpable. Winning the most coveted Tony award comes with high expectations which ultimately left me underwhelmed when I first saw the production live at the Shubert Theatre in July of last year. 

Ultimately the benefit of this filmed presentation is those taking the opportunity to experience it. It offers the rare chance to see a production that they may never see live. Producers likely hope this serves as a preview for movie audiences to spread the word and build an audience for the the show's upcoming North American tour. As of this writing there is no announcement if and when this presentation will be released on DVD or Blu-ray.

Click here for more info about the next screenings of 'Memphis' at movie theaters. More production photos below.


THE DETAILS (Broadway Production)
  • Website:  memphisthemusical.com
  • Where:  Shubert Theatre, New York City
  • When:  Tue 7pm, Wed-Sat 8pm, Wed & Sat 2pm, Sun 3pm
  • Running Time:  2 hrs 30 min (15 min intermission)
  • Ticket Prices:  $41.50-$131.50
  • Opening:  Oct 19, 2009 (previews from Sep 23, 2009)
  • Closing:  Open Run
  • Book online: telecharge.com
  • Book by phone:  1-800-432-7250
  • Cast Recording: Memphis Original Broadway Cast


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