Be sure you ask for Penthouse 36 and not Penthouse 35 (which is going for a million dollars less).
If sold at the requested price the Waiea Grand Penthouse 36 would break the record setting price of over $20 million for one of the 6,000 square-foot penthouse units at Park Lane Ala Moana a couple of blocks away.
The Waiea penthouse is 10,076 square feet (5 bedrooms/5.5 baths) plus1,357 square feet of lanai space. It also includes a private elevator entrance, 360 degree view, rooftop infinity pool and sky lanai with outdoor kitchen and pool house.
Waiea is one of the exclusive luxury condominiums that have risen in the Ward Village area of Honolulu. Oahu residents recognize the building for the Diamond Head facade of wavy glass rising to the top floor. Business Insider reports that residents can get room service from world-famous sushi restaurant Nobu located at the base of Waiea. Additional building amenities include an indoor golf simulator, library, theater, fitness center with yoga room, dog park and children's play area.
With the Broadway revival of Andrew Lloyd Webber's 'Sunset Boulevard' starring Glenn Close that is scheduled to play a limited 16-week engagement at the Palace Theatre opening in three months, the publicity machine advertising the show is starting to get into full swing. It will run from February to May 2017 when I normally do not visit New York so it appears I'm likely to try to schedule an early Spring visit to catch the production.
Back in the fall of 1994 I recall that before the internet, audiences had to call Ticketmaster for tickets. I purchased two tickets then to the original Broadway production which played the Minskoff Theatre: One towards the end of June 1995 and a second for the first week of July 1995. Seeing those two performances would be during my first ever visit to the Big Apple. The show had an advance ticket sale of $37.5 million, the largest at the time, and I was not going to be left out. It was also at the time the second most expensive ticket on Broadway at $70 (the 1994 revival of 'Show Boat' was scaled at a top $75). These two tickets allowed me to see the musical with Glenn Close one final time towards the end of her run and a performance during the start of Betty Buckley's turn as the next Norma Desmond.
Glenn Close & Michael Xavier in the London Coliseum production of 'Sunset Boulevard' (photo credit: Richard Hubert Smith/Daily Mail)
Tickets for the Broadway revival have been on sale for a couple of weeks and there are still a healthy amount of great seats available with tickets currently topping out at $299 for prime orchestra seats, something unheard of back in 1994. The revival originated at London's Coliseum Theatre where it played a five-week engagement earlier this year.
I was a 'Sunset Boulevard' chaser for a while. After catching the London production (1993, Patti Lupone, Adelphi Theatre), I ended up seeing these productions of the musical in the following years: Los Angeles (1994, Glenn Close, Shubert Theatre); New York (1995, Glenn Close & Betty Buckley, Minskoff Theatre); Toronto (1996, Diahann Carroll, North York Performing Arts Centre); US National Tour (1997, Linda Balgord, Civic Opera House - Chicago) and revamped US Tour (1999, Petula Clark, Curran Theatre - San Francisco). Of course the show now has made the rounds of resident theatre companies around the country which lead me to see a production at Signature Theatre in DC (2010, Florence Lacey) as well as a Hawaii community theater production at Diamond Head Theatre in Honolulu (2011, Mary Gutzi). I did return to see the Broadway production an additional two times: a second performance with Betty Buckley in the summer of July 1996 and in November 1996 when I had intended to see Elaine Paige in her Broadway debut. However Paige's understudy, Susan Dawn Carson, played that November evening. Paige was the last Norma Desmond on Broadway playing the role until closing night in March 1997.
Unfortunately the London, Los Angeles, Broadway, Toronto and Touring productions were ultimately failures and the shows did not recoup their initial investments. The Broadway version ran for 977 performances but due to high production costs and waning ticket sales after Close's exit, the show could not sustain a longer run.
I understand the revival is semi-staged (limited sets) with a 40-piece orchestra on stage, the largest ever on Broadway. It will be interesting how Close sings and performs in the role considering it's been 23 years since she opened the Los Angeles production in 1993. One of the biggest differences is Norma's enormous mansion which wowed audiences in the London, LA, Broadway, Toronto and the initial US National Tour, will be no more. The set was magnificent and you heard the "wows" in the audience when this massive gilded set with grand staircase effortlessly arrived on stage.
By the way to see the Norma Desmond mansion set in motion, watch the video below at 4:30. It's the 1995 Tony Awards which was presented on the Sunset Boulevard set at the Minskoff Theatre. At 1:26:50, hear Carol Burnett say "I would have given my eye teeth if the producers would have allowed me to come down those stairs."
Many people use the terms "non-stop" and "direct" interchangeably. But both mean very different things and understanding the difference can save you time and headache when booking your next flight.
Business Insider published a great article that clearly outlines the differences between "non-stop" and "direct flight" The main difference is a direct flight includes a layover and does not change flight numbers as the flight continues. Often passengers remain seated on the plane at the layover stop while other passengers leave and board.
Last week I posted about the dispute between the lead producer of the new musical 'Natasha, Pierre & The Great Comet of 1812' which resulted in litigation. A couple of days later it appears the dispute is resolved.
Variety reports: The dispute between the commercial producers of Broadway musical “Natasha, Pierre and the Great Comet of 1812” and the not-for-profit theater where the project originated has arrived at a resolution, according to a spokesperson for the show. The new agreement, which both sides have opted to keep private, sees Ars Nova given more prominent credit with the lawsuit dropped in recompense. The dust-up gets at the heart of the tensions that can underlie the increasingly close relationship between commercial producers and not-for-profit organizations. The issue of credit can be enormously important both for a not-for-profit, which gets a boost in prestige and prominence from a successful Broadway transfer, and for the commercial producers, eager to be credited for their own contributions in moving the show on to a future life. Click the link below for the Variety.com article: Producers Resolve Dispute Over 'Great Comet' Billing
