Andrew Lloyd Webber’s musical “The Phantom of the Opera” is
available to high schools and colleges nationwide and taking advantage of the
opportunity is Windward Community College, part of the University of Hawaii system, with a production at its campus Paliku Theatre.
Prior to this production, there were only three times the residents
of Hawaii could see the music locally. In 1993 the Canadian tour of the show
grossed over $11 million during a 10-week run at the Blaisdell Concert Hall. That record gross held for fourteen years until 1997 when the national tour
of ‘The Lion King’ roared into Honolulu at the same venue. The same ‘Phantom’
tour returned to Hawaii a year later in 1994 for a shorter grossing run. It wasn’t
until 2010 when anyone in Hawaii would see another production locally. The
students of the private Punahou School put on a six-performance run in fall of
that year.
Now talents on stage and behind the scenes are taking on the
challenge of tackling one of the most extravagant musicals ever produced and
interpreting it for a college theater stage. It appears the title is still as
popular as ever evidenced by the sold-out run of the show at the Paliku.
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Kyle Mallis (Raoul), Lydia Pusateri (Christine) and Miles Wesley (The Phantom)
(photos: Paliku Theatre) |
Though one would expect a downsized version of the original
set and costume designs by the late Maria Bjornson, such a production should apply
more focus on the performers, their acting and singing. It’s a given that
budget restrictions would limit any theatre company in trying to duplicate the
original production design. Also despite what theatre critics might say, Lloyd
Webber’s music and lyrics by Charles Hart and Richard Stilgoe ably transports
the audience to the world of the late 19
th century Paris opera house
with a through-sung device and melodies to match. The operatic aspirations of
the composter are made accessible with sweeping tunes.
For those familiar with the original: the crashing
chandelier, the grand staircase for the masquerade ball and the phantom’s
underground lair are all splendidly designed and lit by Lloyd S. Riford III for
the Paliku stage. The only distraction was the blue elephant for the ‘Hannibal’
opera sequence in the musical’s first scenes. Equally brilliant is the
costuming designs of Evette Tanouye Allerdings in what appears to include a mix
of rented costumes.
Aside from the visuals, the orchestra and musical director
Clarke Bright provide justice to Lloyd Webber’s score. The melodies are still
grand and haunting as played by the seventeen-member orchestra.
The role of the Phantom is in actuality a supporting one.
But he is omnipresent throughout the evening even when the actor is not on
stage. The true showcase role is that of Christine Daae, the ingénue that the
Phantom bewitches. The score is a marathon for any performer especially for the
actress portraying Christine (hence in almost every professional production
with eight shows a week an alternate plays the role at certain performances).
Miles Wesley as the Phantom and Lydian Pusateri as Christine
ably handle the plot demands. Both sing assuredly that “Music of the Night” and
“Wishing You Were Somehow Here Again” will not disappoint and their duet of the
title song is thrilling. Lloyd Webber has composed beautiful music linking
these songs even if a chunk of them are to variations of the
show’s big numbers. These moments deserve attention to carry the dramatic weight
of the story. It’s likely that Wesely and Pusateri will grow into these
characters over the remaining performances to deliver these sung lines
with importance as they do the main numbers.
The role of the Raoul, the Vicomte de Chagny, completes the
love triangle. As written the character does not offer much depth. But Kyle
Mallis reveals a professional stage presence in his performance and elevates
the character more than it deserves. He is strong in voice and plays the
character believably. The cast also includes Leonard J. Villanueva and Douglas
S. Scheer as the opera managers who provide more than adequate comedic support. As
Carlotta, Jaime Craycroft plays the opera diva with great fun and relish intentionally
reducing her soprano to pale in comparison to Christine.
The timeless appeal of this beauty and the beast story
especially when adorned with the score of Lloyd Webber has helped to make the
musical the most successful entertainment endeavor ever. Director Ronald E.
Bright brings a confident hand to realize this production at the Paliku
that will delight new and old fans of 'The Phantom of the Opera.'
'The Phantom of the Opera' is presented at the Paliku Theatre at Windward Community College located in Kanoehe, Hawaii. Perfomances run to October 23, 2011; 7:30pm Wednesday, Fridays and Saturdays and 4pm Sundays. Tickets cost $30-$45; $49 for VIP ticket seating. Visit eticketshawaii.com to purchase tickets. Click HERE for more information.